Twenty-five years ago "Lisbon Story" was released: the movie with which Wenders paid homage to cinema in the year of his centenary. Did it still make sense to make films, in an era in which the flow of images became more and more pervasive, in a sort of expanded and scattered cinéma vérité? The answer, of course, was yes: there was still a need to tell stories, as Winter reiterates to a disillusioned Monroe.
Today it happens that cinema, understood as art and industry but above all as a place of sharing, is put in serious crisis by a double pandemic: the one caused by the virus that forces theaters to close, and the one conveyed by the new video sharing and streaming channels.
With this project I imagined the superimposition of these two scenarios, starting from the same place: a closed theater. In the movie, Monroe stored the "unseen images" inside an abandoned theater. Here, we find ourselves outside a symbolic place of Pordenone, the Cinemazero's theater.
- Edition: 2020
- Size: 70x100 cm
- Format: PDF (400 KB)