Author: Ivan Dal Cin
In this third collection of writings, from the period 2011-2016, the meta-artistic investigation is developed mainly around the digital and the Internet as a natural continuation of the dematerialization of art. The "real amateur" is presented as a solution to the problem of the threshold between art and non-art, while digital images and files redefine the ontology and scope of the works. Through the Internet, the aestheticization of the world is complete and definitive: however, this is not an extension of the concept of art, but more prosaically and pragmatically of design. "Post-art design" is seen here as the most likely outcome of the slow process of dissolution of art: the infinite experience of the world after the end of the aura.
