Arte Partecipante · by Ivan Dal Cin

In 2003, for my dissertation I tried to superimpose some ideas, partly rehashed, about visual anthropology, net art, and radical music. I still didn't know there was such a thing as "theory fiction," and I'm not sure I can attach that label to this work. It was my first ambitious (or ambiguous?) theoretical act (or hack?).

By combining many notes and quotes with brief scripts, fake sources and a long interview built without questions, I've experimented with a multi-focal/vocal writing device that is involuted, self-aware and (of course) auto-ironic.